Max Lorenz, Orchester Der Staatsoper Berlin's 'Trinkspruch' came out on August 22, 2006. The duration of Trinkspruch is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Trinkspruch's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 18 out of 33. The popularity of Trinkspruch is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trinkspruch by Max Lorenz, Orchester Der Staatsoper Berlin to be Vivace (lively and fast) because the track has a tempo of 170 テンポ, a half-time of 85テンポ, and a double-time of 340 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gotterdammerung (Twilight of the Gods), Act III Scene 1: Act III Scene 1: Was leid ich doch das karge Lob? (Siegfried, Rheintochter) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | C Major | 2 | 8B | 134 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Kinder, schaut das Wunder an" [Father, Stepmother, Gingerbread Children, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 89 BPM | ||
Theme and Variations, Sonatina 4 (Thomas Attwood) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
To a Wild Rose | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | A Major | 1 | 11B | 137 BPM | ||
La Tempestad, Acto I: La Lluvia Ha Cesado (Monólogo de Simón) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | C Major | 0 | 8B | 70 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM |