"Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen"" by Ama Deus Ensemble was released on July 25, 2008. The duration of Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen" is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in Beethoven: Symphony No. 9 & Die Ruinen von Athen by Ama Deus Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen" by Ama Deus Ensemble is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, BWV 245: Part I. Recittive. So That the Prophesy | Ama Deus Ensemble, Valentin Radu | A Major | 1 | 11B | 75 BPM | ||
Messiah, HWV 56: Part 3: Worthy is the Lamb (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 125 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Flute Concerto No. 2, K.314 in D: Adagio ma non troppo | James Galway, Sir Neville Marriner | G Major | 1 | 9B | 81 BPM | ||
St. John Passion, BWV 245: Part II. Recittive. And from Then On | Ama Deus Ensemble, Valentin Radu | B♭ Minor | 0 | 3A | 82 BPM | ||
La naissance d'Osiris: Overture | Jean-Philippe Rameau, Capella Savaria, Mary Terey-Smith | B Major | 1 | 1B | 113 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Judas Maccabæus, HWV 63 | Tatyana Rashkovsky, Ama Deus Ensemble | E Major | 1 | 12B | 112 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Cello Concerto in D Major, G. 478: II. Larghetto | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Major | 1 | 3B | 81 BPM |