"4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea" by Francis Poulenc, Sumei Bao-Smith, The Choir Of Trinity College, Cambridge, Stephen Layton was released on March 1, 2024. The duration of 4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea is about 3 minutes long, at 3:02. Based on our data, "4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 13 in Duruflé: Requiem; Poulenc: Lenten Motets by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea by Francis Poulenc, Sumei Bao-Smith, The Choir Of Trinity College, Cambridge, Stephen Layton is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Suite francaise, FP 80 (after C. Gervaise): VII. Carillon | Francis Poulenc, Orchestre National de Lille, Jean-Claude Casadesus | C Major | 1 | 8B | 99 BPM | ||
Clarinet Sonata, FP 184: Allegro con fuoco: Tres anime | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Major | 0 | 9B | 105 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Le travail du peintre: Pablo Picasso | Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen | A♭ Major | 2 | 4B | 110 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM |