"Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan)" by Kari Lövaas, Berliner Symphoniker was released on December 23, 2008. The duration of Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kari Lövaas's "Kari Lövaas sings Grieg, Strauss and Sibelius" album is number 2 out of 19. Based on our statistics, Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan) by Kari Lövaas, Berliner Symphoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Symphony in C Major, WD 33: II. Adagio | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
Serse / Act 1: "Ombra mai fù" | George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page | F Major | 1 | 7B | 70 BPM | ||
Die Feen, WWV 32, Act III: Act III: Schlussszene (Feenkonig, Arindal, Chorus) | Richard Wagner, Cheryl Studer, Norbert Orth, Karl Helm, Friedrich Lenz, Roland Bracht, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Kurt Moll, Linda Gray, Kari Lövaas, Krisztina Laki, John Alexander, June Anderson, Roland Hermann, Jan-Hendrick Rootering, Wolfgang Sawallisch | E Major | 4 | 12B | 136 BPM | ||
La vera costanza / Act 1: "S'è lecito, signora" | Joseph Haydn, Jessye Norman, Kari Lövaas, Wladimiro Ganzarolli, Domenico Trimarchi, Anthony Rolfe Johnson, Orchestre de Chambre de Lausanne, Antal Doráti | D Major | 2 | 10B | 72 BPM | ||
Piano Sonata No 23 In F Minor,Op 57 "Appassionata"-Andante Con Moto (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | F Minor | 1 | 4A | 83 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
Die Feen, WWV 32, Act I: Act I: Cavatina (Ada) | Richard Wagner, Cheryl Studer, June Anderson, Friedrich Lenz, Roland Bracht, Roland Hermann, Norbert Orth, Kurt Moll, Jan-Hendrick Rootering, Bavarian Radio Chorus, Karl Helm, Bavarian Radio Symphony Orchestra, Linda Gray, Kari Lövaas, Krisztina Laki, John Alexander, Wolfgang Sawallisch | D Major | 1 | 10B | 173 BPM | ||
Humoreske No. 7 für Klavier Solo in G-Flat Major, Op. 101 | Květa Novotná | F♯ Major | 0 | 2B | 65 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
War Requiem Op. 66: Move him into the sun - Pie Jesu Domine | Benjamin Britten, MDR Leipzig Radio Chorus, Dresdner Philharmonie, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam, Anthony Roden | C Major | 1 | 8B | 47 BPM |