"Sinfonia Hymn (Let Each Man Take His Lot and Place)" by Traditional (Arranged by Charles Bennet), Phi Mu Alpha Sinfonia Fraternity was released on January 1, 2009. With Sinfonia Hymn (Let Each Man Take His Lot and Place) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Sinfonia Songs Recordings, Volume I". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Sinfonia Hymn (Let Each Man Take His Lot and Place) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia Hymn (Let Each Man Take His Lot and Place) by Traditional (Arranged by Charles Bennet), Phi Mu Alpha Sinfonia Fraternity having a テンポ of 52 with a half-time of 26 テンポ and a double-time of 104 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amor de mi Alma | Z. Randall Stroope, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy | D♭ Major | 0 | 3B | 134 BPM | ||
The Stars and Stripes Forever | Acoustix | E Major | 2 | 12B | 118 BPM | ||
Rejoice in the Lamb, Op. 30: For the instruments are by their rhimes | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
Selections From Friday Afternoons, Op.7 - A New Year Carol | Benjamin Britten, Toronto Children's Chorus | E♭ Major | 1 | 5B | 75 BPM | ||
How Could I Ever Know? | The Instant Classic | F♯ Major | 1 | 2B | 57 BPM | ||
L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | ||
Semper Paratus | United States Coast Guard Band | A♭ Major | 5 | 4B | 110 BPM | ||
Nien, Geliebter, Setze Dich | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E Major | 0 | 12B | 86 BPM | ||
A British Tar | Darrell Fancourt, Martyn Green, The D'Oyly Carte Opera Company | E Major | 2 | 12B | 132 BPM | ||
Slava! | Leonard Bernstein, Dallas Wind Symphony, Frederick Fennell | C Minor | 3 | 5A | 146 BPM |