"Symphony No. 1, Op. 20: I With Majesty" by Paul Creston, Ukraine National Symphony Orchestra, Theodore Kuchar was released on February 9, 2000. Since Symphony No. 1, Op. 20: I With Majesty is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Creston: Symphonies Nos. 1- 3 by Paul Creston, Theodore Kuchar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Symphony No. 1, Op. 20: I With Majesty's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1, Op. 20: I With Majesty by Paul Creston, Ukraine National Symphony Orchestra, Theodore Kuchar is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Amstel Quartet plays Creston: Suite for Saxophone Quartet, Op. 111: IV. Rondo | Paul Creston, Amstel Quartet | D♭ Minor | 1 | 12A | 119 BPM | ||
Concertino für Tuba und Klavier: I. Bewegt | Joseph Bartz, Hans Tönnies | E♭ Major | 0 | 5B | 94 BPM | ||
Ibert: Flute Concerto: III. Allegro scherzando | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 92 BPM | ||
Concertino da Camera: I. Allegro con moto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic | F Major | 2 | 7B | 121 BPM | ||
Poulenc: Sextet for Piano & Winds, Op. 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
Morceau de Concert | Jean Pennequin, Reinhold Friedrich, Thomas Duis | B♭ Major | 1 | 6B | 87 BPM | ||
Choreografic Suite, Op. 86: V. Festive Dance | Paul Creston, Randall Ellis, Judith Mendenhall, Paul Ingraham, New York Chamber Symphony, Gerard Schwarz | D♭ Minor | 2 | 12A | 93 BPM | ||
After You, Mr. Gershwin ! | Bela Kovacs, André Moisan, Jean Saulnier | E♭ Major | 0 | 5B | 113 BPM | ||
Wanderlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM |