"Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime"" by Richard Wagner, Wolfgang Windgassen, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime" by Richard Wagner, Wolfgang Windgassen, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, Act II: Act II Scene 5: Da ist er! (Eva, Magdalene, Walther) | Richard Wagner, Theo Adam, Karl Ridderbusch, Sebastian Feiersinger, Dieter Slembeck, Thomas Hemsley, Gerd Nienstedt, Günther Treptow, Erich Klaus, William Johns, Heinz Feldhoff, Fritz Linke, Hans Franzen, Waldemar Kmentt, Hermin Esser, Gwyneth Jones, Janis Martin, Kurt Moll, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | D Major | 4 | 10B | 87 BPM | ||
Bizet: Carmen: Au secours! Au secours! - Act One | Georges Bizet, Covent Garden Chorus, Richard van Allan, Plácido Domingo | B Minor | 4 | 10A | 81 BPM | ||
Tosca / Act 1: "Voi! Cavaradossi!" | Giacomo Puccini, Carlo Cava, Giuseppe Di Stefano, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 89 BPM | ||
Rigoletto / Act 2: Tutte le feste al tempio | Giuseppe Verdi, Ileana Cotrubas, Wiener Philharmoniker, Carlo Maria Giulini | C Major | 0 | 8B | 80 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Langsam ppp. Nicht schleppen - "Wieder aufzublühn wirst du gesät" | Gustav Mahler, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | C Major | 1 | 8B | 78 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
Madama Butterfly / Act 2: (fischi d'uccelli dal giardino) | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 115 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
La traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 1 | 4A | 86 BPM | ||
Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ewiger Wonnebrand" | Gustav Mahler, John Shirley-Quirk, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 1 | 12B | 112 BPM |