Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Royston Nash's 'The Mikado: On a tree by a river a little tom tit' had a release date set for January 1, 1973. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Mikado: On a tree by a river a little tom tit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 13 out of 37. The Mikado: On a tree by a river a little tom tit is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Mikado: On a tree by a river a little tom tit by Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Royston Nash to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Crown Imperial: Coronation March | William Walton, Royal Philharmonic Orchestra, Carl Davis | C Major | 5 | 8B | 112 BPM | ||
Per la gloria d'adoravi (from Griselda) | Dame Joan Sutherland, Richard Bonynge | D Major | 1 | 10B | 71 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
When The Children Are Asleep | Barbara Ruick, Robert Rounseville | F Major | 1 | 7B | 124 BPM | ||
Morning Mood | Edvard Grieg, Royal Philharmonic Orchestra, John Rigby | E Major | 0 | 12B | 80 BPM | ||
23. Brightly dawns our wedding day | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | F Major | 2 | 7B | 71 BPM | ||
West Side Story: Act I: Gee, Officer Krupke | Leonard Bernstein, Russ Tamblyn, Johnny Green, Tony Mordente, David Winters, Eliot Feld, Bert Michaels, West Side Story Orchestra | D♭ Major | 4 | 3B | 146 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
23. My eyes are fully open to my awful situation | Arthur Sullivan, Jean Allister, John Reed, Kenneth Sandford, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey | D Major | 3 | 10B | 116 BPM |