"Beethoven: 12 Contredanses, WoO 14: No. 3 D Major" by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields was released on May 17, 2024. With Beethoven: 12 Contredanses, WoO 14: No. 3 D Major being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The popularity of Beethoven: 12 Contredanses, WoO 14: No. 3 D Major is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: 12 Contredanses, WoO 14: No. 3 D Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | A♭ Major | 0 | 4B | 82 BPM | ||
El salón México - 1999 Remastered Version | Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra | G Major | 1 | 9B | 76 BPM | ||
Mozart: Lucio Silla, K. 135: Overture (Molto allegro - Andante - Molto allegro) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 171 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Lehár: Giuditta, Tableau 4: "Meine Lippen, sie küssen so heiss" (Giuditta) | Franz Lehár, Lucia Popp, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 79 BPM | ||
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: II. Andantino, sempre piano | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 0 | 5B | 80 BPM | ||
Cello Concerto No. 4 In C Major, G. 481: III. Allegretto | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 101 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: V. Barrel Organ Waltz | Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 184 BPM | ||
Suite for Strings, JW VI / 2: III. Andante Con Moto | Leoš Janáček, Slovac Chamber Orchestra, Bohdan Warchal | G Major | 1 | 9B | 114 BPM |