Melchior Vulpius, Joculatores Upsalienses's 'Die beste Zeit' came out on September 30, 1990. The duration of Die beste Zeit is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Die beste Zeit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joculatores Upsalienses's "Joculatores Upsalienses: Four Seasons (The)" album is number 8 out of 32. In terms of popularity, Die beste Zeit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die beste Zeit by Melchior Vulpius, Joculatores Upsalienses to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
He Shall Feed His Flock | Laestadian Lutheran Church, Liisa Keranen, Vanamo Typpö, Ashley Niemela, Viena Kontkanen | C Major | 2 | 8B | 79 BPM | ||
Illalla | Heikki Rainio, Kamarikuoro Adastra | E Minor | 2 | 9A | 99 BPM | ||
Bürgerlied | Klaus-Martin Bresgott, Adalbert Harnisch, Carsten Gerlitz, Traditional 19. Jahrhundert, Athesinus Consort Berlin, Stephan M. Gähler, Stefan Q. Drexlmeier, Karin Eger, Natasha Schnur | F Major | 2 | 7B | 99 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM | ||
Stabat Mater: O quam tristis et afflicta | Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir | E Minor | 4 | 9A | 200 BPM | ||
In coena Domini, MH 276: Judas mercator pessimus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Minor | 1 | 9A | 81 BPM | ||
Spotless Rose | Ola Gjeilo, Jennifer Halliday, Lucy Hole, Alexandra Meakem, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 79 BPM | ||
Oh, Day of Joy and Gladness SHZ 545 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Ashley Niemela | F Major | 2 | 7B | 82 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): From the Old Testament: The Earth is the Lord's | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | C Major | 0 | 8B | 77 BPM |