Paul Schoenfield, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko made "Trio for Clarinet, Violin & Piano: IV. Kozatske" available on January 26, 2024. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Take 3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Trio for Clarinet, Violin & Piano: IV. Kozatske is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trio for Clarinet, Violin & Piano: IV. Kozatske by Paul Schoenfield, Patricia Kopatchinskaja, Reto Bieri, Polina Leschenko having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 70 BPM | ||
Violin Concerto in A minor, Op. 82: 2. Andante | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 1 | 3B | 78 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: I. Obsession. Prèlude | Eugène Ysaÿe, Hilary Hahn | A Minor | 1 | 8A | 106 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM |