"Walking the Dog" by George Gershwin, Iain Sutherland Concert Orchestra, Iain Sutherland was released on June 4, 2013. The duration of Walking the Dog is about 3 minutes long, at 3:06. Based on our data, "Walking the Dog" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Iain Sutherland Concert Orchestra, Iain Sutherland's "Manhattan Playboys - American Light Classics" album is number 11 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Walking the Dog's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Walking the Dog by George Gershwin, Iain Sutherland Concert Orchestra, Iain Sutherland to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Carnival of Venice | Jean Babtiste Arban, Philippe Schartz | D Major | 3 | 10B | 140 BPM | ||
Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Song Book: I Got Rhythm. Very marked | George Gershwin, Frank Braley | D♭ Major | 2 | 3B | 102 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
"Summertime" - from Porgy and Bess | George Gershwin, Joshua Bell, Peter Dugan | B Minor | 2 | 10A | 163 BPM | ||
Conga del Fuego - Live | Arturo Márquez, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | A Minor | 3 | 8A | 128 BPM | ||
Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 2 | 4B | 127 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM |