"Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession—" by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale was released on April 21, 2023. The duration of Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession— is about 3 minutes long, at 3:17. Based on our data, "Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession—" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession— is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a テンポ of 175 with a half-time of 88 テンポ and a double-time of 350 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orgelbüchlein, BWV 599-644: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | F Minor | 0 | 4A | 132 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Winterreise, Op. 89, D. 911: No. 15, Die Krähe | Franz Schubert, Ian Bostridge, Thomas Adès | A♭ Major | 0 | 4B | 99 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Sonata No. 2: II. Presto | Alexei Stanchinsky, Thomas Adès | D Major | 1 | 10B | 74 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Cardiac Arrest | Cathal Smyth, Christopher Foreman, Thomas Adès | A Minor | 2 | 8A | 127 BPM |