"Messa da Requiem: Agnus Dei: Agnus Dei (Soprano, Alto)" by Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin was released on February 5, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Bottesini: Messa da Requiem by Giovanni Bottesini, Thomas Martin. Messa da Requiem: Agnus Dei: Agnus Dei (Soprano, Alto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messa da Requiem: Agnus Dei: Agnus Dei (Soprano, Alto) by Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Messa da Requiem: Sequence: Ingemisco (Bass) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | C Major | 0 | 8B | 75 BPM | ||
Schumann: 3 Romances, Op. 22: No. 1 Andante molto | Clara Schumann, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 87 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM |