Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 7.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 7.2 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Kapitel 7.2 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #16 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 7.2 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 7.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 7.2 - Wie Google tickt - How Google Works being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Ma rendi pur contento | Vincenzo Bellini, Jorunn Torsheim | E Major | 1 | 12B | 100 BPM | ||
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
Schubert: Ganymed, Op. 19 No. 3, D. 544 | Franz Schubert, Barbara Bonney | B♭ Major | 1 | 6B | 72 BPM | ||
Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Falangi celesti) | Arrigo Boito, Ambrosian Opera Chorus, London Symphony Orchestra, Julius Rudel | E Major | 1 | 12B | 86 BPM | ||
Four Last Songs, TrV 296: IV. Im Abendrot | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Messa di Gloria: I. Kyrie | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | B Minor | 6 | 10A | 129 BPM | ||
Magnificat: No. 6, Esurientes implevit | Clive Osgood, London Mozart Players, Amy Carson, Robert Lewis | E Minor | 2 | 9A | 104 BPM | ||
「3つのシェイクスピアの歌」Op.6 第1曲 来たれ 死よ | ロジャー・クィルター, 上村誠一, 松下倫士 | C Minor | 0 | 5A | 69 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM |