Coro De La Abadía Benedictina De Santo Domingo De Silos's 'Descendit : Antiphona, Modus VIII G / Magnificat : Luc 1, 46-55' came out on 1994. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Coro De La Abadía Benedictina De Santo Domingo De Silos's "Lumières du Grégorien" album is number 16 out of 90. On top of that, France appears to be the country where this track was created. Based on our statistics, Descendit : Antiphona, Modus VIII G / Magnificat : Luc 1, 46-55's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Descendit : Antiphona, Modus VIII G / Magnificat : Luc 1, 46-55 by Coro De La Abadía Benedictina De Santo Domingo De Silos to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ubi caritas et amor Antiphona (Gründonnerstag) | Choir Of St. Abuscus | C Major | 1 | 8B | 114 BPM | ||
Cantus Officiorum: Antiphona: In exitu Israel | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 177 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
Adorna | Lucien Deiss, CSSp | B♭ Major | 0 | 6B | 78 BPM | ||
Kyrie | Cantores 'Regina Caeli' | F Major | 1 | 7B | 133 BPM | ||
Messe de la toussaint : Communion beati | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 102 BPM | ||
O Rex Gentium | Coro Solemnis | F Major | 1 | 7B | 121 BPM | ||
Canto Gregoriano IV, Cuaresma y Semana Santa: Ubi Charitas | Coro De La Abadía Benedictina De Santo Domingo De Silos | B Minor | 1 | 10A | 77 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Agnus Dei from Off. Terra Tremuit | The Benedictine Nuns of St. Cecilia's Abbey | F Minor | 3 | 4A | 135 BPM |