Béla Bartók, Zoltán Kocsis's '3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto' came out on August 5, 1994. The duration of 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Bartók: Works for Solo Piano, Vol. 2 by Béla Bartók, Zoltán Kocsis. Based on our statistics, 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto by Béla Bartók, Zoltán Kocsis is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Allegro barbaro, BB 63: Allegro barbaro, Sz. 49 | Béla Bartók, Jenő Jandó | E♭ Major | 1 | 5B | 90 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Bluebeard's Castle, Op. 11, Sz. 48: Megérkeztünk | Béla Bartók, Gustav Belacek, Andrea Meláth, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Minor | 2 | 12A | 129 BPM |