Carl Philipp Emanuel Bach, Ana-Marija Markovina made "Minuet in C Major, Wq. 116/5, H. 216" available on April 29, 2014. The duration of Minuet in C Major, Wq. 116/5, H. 216 is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Minuet in C Major, Wq. 116/5, H. 216's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 31 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 6 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Minuet in C Major, Wq. 116/5, H. 216 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Minuet in C Major, Wq. 116/5, H. 216 by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM |