Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann made "Sechs deutsche Lieder, Opus 41: Nr. 1 Des Mädchens Sehnsucht (Arr. für Stimme und Gitarre von Boris Tesic)" available on September 8, 2023. The duration of Sechs deutsche Lieder, Opus 41: Nr. 1 Des Mädchens Sehnsucht (Arr. für Stimme und Gitarre von Boris Tesic) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sechs deutsche Lieder, Opus 41: Nr. 1 Des Mädchens Sehnsucht (Arr. für Stimme und Gitarre von Boris Tesic)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 1 out of 24. On top of that, Germany appears to be the country where this track was created. Sechs deutsche Lieder, Opus 41: Nr. 1 Des Mädchens Sehnsucht (Arr. für Stimme und Gitarre von Boris Tesic) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sechs deutsche Lieder, Opus 41: Nr. 1 Des Mädchens Sehnsucht (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese | Franz Joseph Haydn, Kungsbacka Piano Trio | G Major | 1 | 9B | 147 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Faust, Act III (1852 Version): Ich bin erschöpft, ich kann nicht weiter | Louis Spohr, Michael Vier, Bielefeld Philharmonic Orchestra, Geoffrey Moull | A♭ Major | 1 | 4B | 73 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Faust, Act I (1852 Version): Ich kann nicht ruh'n, ich kann nicht rasten | Louis Spohr, Eelco von Jordis, Claudia Taha, Drew Abbott, Bielefeld Philharmonic Orchestra, Geoffrey Moull | F♯ Major | 1 | 2B | 112 BPM |