Gioachino Rossini, Kathleen Battle, Plácido Domingo, Frank Lopardo, Lucio Gallo, Chamber Orchestra of Europe, Claudio Abbado's 'Il barbiere di Siviglia / Act 1: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo)' came out on January 1, 1992. Il barbiere di Siviglia / Act 1: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) appears to be safe for all ages as it is not explicit. There are a total of 26 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Il barbiere di Siviglia / Act 1: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia / Act 1: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) by Gioachino Rossini, Kathleen Battle, Plácido Domingo, Frank Lopardo, Lucio Gallo, Chamber Orchestra of Europe, Claudio Abbado having a テンポ of 116 with a half-time of 58 テンポ and a double-time of 232 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
Simple Symphony, Op. 4: Sentimental Sarabande | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Minor | 0 | 6A | 75 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
L'italiana in Algeri / Act 2: Ti presento di mia man | Gioachino Rossini, Giuliana Tavolaccini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | D Major | 3 | 10B | 89 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM |