"Aniara: Act I Scene 3: Do-Doris, Doris, Do-Doris …" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. With Aniara: Act I Scene 3: Do-Doris, Doris, Do-Doris … being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. Based on our statistics, Aniara: Act I Scene 3: Do-Doris, Doris, Do-Doris …'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara: Act I Scene 3: Do-Doris, Doris, Do-Doris … by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Minor | 2 | 4A | 114 BPM | ||
I speglarnas sal: II. Här i denna tystnad (attacca) | Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Anders Näslund, Bengt Rundgren | A♭ Major | 0 | 4B | 80 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
I speglarnas sal: I. I speglarnas sal | Karl-Birger Blomdahl, Anders Näslund, Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Erik Saeden, Kungliga Teaterns Kor, Swedish Radio Symphony Orchestra | C Major | 0 | 8B | 120 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 73 BPM |