Franz Liszt, Fujiko Hemming's '6 Etudes d'exécution transcendante d'après Paganini, S.140: ラ・カンパネラ' came out on September 20, 2006. With this song being about 5 minutes long, at 5:02, "6 Etudes d'exécution transcendante d'après Paganini, S.140: ラ・カンパネラ" by Franz Liszt, Fujiko Hemming is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ピアノ名曲集, so we believe that "6 Etudes d'exécution transcendante d'après Paganini, S.140: ラ・カンパネラ" is a single. 6 Etudes d'exécution transcendante d'après Paganini, S.140: ラ・カンパネラ is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Etudes d'exécution transcendante d'après Paganini, S.140: ラ・カンパネラ by Franz Liszt, Fujiko Hemming is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25: No. 1, Widmung (Piano Transcription), S. 566 | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 1 | 4B | 76 BPM | ||
ブランデンブルク協奏曲 第3番~第1楽章(J.S.バッハ) | ベルリン室内管弦楽団 | G Major | 3 | 9B | 102 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
蝶々(《抒情小品集》第3集から)作品43の1 | エドヴァルド・グリーク, Fujiko Hemming | F♯ Minor | 0 | 11A | 130 BPM | ||
エチュード 第3番 ホ長調 《別れの曲》作品10-3 | Fujiko Hemming | E Major | 2 | 12B | 72 BPM | ||
Polonaise No.6 In A flat Major "Heroique" Op.53 (Live at 1985 Chopin Piano Competition) | F.Chopin, Stanislav Bunin | A♭ Major | 3 | 4B | 81 BPM | ||
ベートーベン:ピアノ・ソナタ第14番 <月光> 第3楽章 | Ludwig van Beethoven, 四月は君の嘘 僕と君との音楽帳 | F♯ Minor | 3 | 11A | 145 BPM | ||
展覧会の絵 プロムナード | Modest Mussorgsky, Karel Ančerl, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 101 BPM | ||
ドヴォルザーク:チェコ組曲より第2曲 ポルカ | Antonín Dvořák, のだめオーケストラ | A Minor | 1 | 8A | 108 BPM | ||
Triptyque: III. Presto | Yasushi Akutagawa, Tonkünstler-Orchester, Yutaka Sado | B Minor | 2 | 10A | 130 BPM |