Johann Joseph Fux, BURAK, Musica Sequenza, Diana Ramirez's 'Dafne in Lauro, K 308: Lascio D'esser Ninfa, Si' came out on June 4, 2021. Dafne in Lauro, K 308: Lascio D'esser Ninfa, Si is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 5 out of 17 in Bach Opium by Christian Forshaw, Grace Davidson, Franz Liszt, Jonas Kaufmann, Stefan Temmingh, Capricornus Consort Basel, Carl Philipp Emanuel Bach, Nevermind, Quatuor Ébène, BURAK, Musica Sequenza, Diana Ramirez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Dafne in Lauro, K 308: Lascio D'esser Ninfa, Si is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dafne in Lauro, K 308: Lascio D'esser Ninfa, Si by Johann Joseph Fux, BURAK, Musica Sequenza, Diana Ramirez is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a più istrumenti in F Major, Op. 6 No. 6, III. Allegro ma non troppo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | E Major | 1 | 12B | 104 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Serenade, K. 352: VII. Ciacona | Johann Joseph Fux, Otto Sauter, Franz Wagnermeyer, Cappella Istropolitana, Nicol Matt | D Major | 2 | 10B | 120 BPM | ||
Missa Corporis Christi: Gloria | Johann Joseph Fux, David Cordier, Drew Minter, Johannes Chum, Klaus Mertens, Wiener Vocalensemble, Vienna Academy Orchestra, Martin Haselböck | B Major | 1 | 1B | 0 BPM | ||
Concerto in D Major "Le dolcezze e l'amerezze della notte": I. Der Nachtwächter | Johann Joseph Fux, Freiburger Barockorchester, Gottfried Von Der Goltz | A♭ Minor | 1 | 1A | 116 BPM | ||
Polonaise in F Major, BWV Anh. 117 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Ouverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. Largo | Jean-Marie Leclair, Patrick Cohën-Akenine, Les Folies Françoises | F♯ Minor | 2 | 11A | 115 BPM |