"Bach, J.S.: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante" by Johann Sebastian Bach, Scottish Ensemble/Jonathan Rees was released on 2006. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Bach, J.S.: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, J.S.: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante by Johann Sebastian Bach, Scottish Ensemble/Jonathan Rees is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM |