Lithuanian Chamber Orchestra's 'The Messiah: Part. I, Aria (O thou that tellest good tidings to Zion' came out on November 28, 2008. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #9. The popularity of The Messiah: Part. I, Aria (O thou that tellest good tidings to Zion is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Messiah: Part. I, Aria (O thou that tellest good tidings to Zion by Lithuanian Chamber Orchestra having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Friday Afternoons, Op. 7: A New Year Carol | Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten | F Minor | 8 | 4A | 108 BPM | ||
Ex tenebris lux | Žibuoklė Martinaitytė, Lithuanian Chamber Orchestra, Karolis Variakojis | F Major | 2 | 7B | 134 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
Concerto For Violoncello And Strings: II. (Longing) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
Concerto for 2 Keyboards in C Minor, BWV 1060: III. Allegro (Live) | Johann Sebastian Bach, Tatiana Nikolayeva, Mikhail Petukhov, Lithuanian Chamber Orchestra, Saulius Sondeckis | C Minor | 6 | 5A | 114 BPM | ||
寂寞如刀 - Dj伴奏版 | 杨昊 | A Major | 10 | 11B | 128 BPM | ||
The Barber of Seville (Overture) | Uberto Pieroni | E Major | 3 | 12B | 89 BPM | ||
弦楽セレナーデ ハ長調, 作品 48 2. Waltz. Moderato | Pyotr Ilyich Tchaikovsky, Saulius Sondeckis, Lithuanian Chamber Orchestra | E Minor | 4 | 9A | 93 BPM | ||
サマーリンの栄誉のための悲歌 | Pyotr Ilyich Tchaikovsky, Saulius Sondeckis, Lithuanian Chamber Orchestra | G Major | 1 | 9B | 134 BPM | ||
你留给我的伤太多 | 李英 | E Major | 5 | 12B | 144 BPM |