Eivind Groven, Stavanger Symphony Orchestra, Roland Straumer's 'Norwegian Symphonic Dances No. 1, Op. 43: II. Springar' came out on January 1, 2007. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Eivind Groven, Stavanger Symphony Orchestra, Roland Straumer's "Groven: Symphony No. 1, "Toward the Mountains" / Norwegian Symphonic Dances Nos. 1 and 2" album is number 7 out of 11. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Norwegian Symphonic Dances No. 1, Op. 43: II. Springar's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Norwegian Symphonic Dances No. 1, Op. 43: II. Springar by Eivind Groven, Stavanger Symphony Orchestra, Roland Straumer to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oh My Sweet Sorrow | Yorgos Karagiannis | F♯ Major | 0 | 2B | 92 BPM | ||
5 Bagatelles, Op. 23 (Arr. for Clarinet & Orchestra by Anonymous): No. 3, Carol | Gerald Finzi, Laura Ardan, Emory University Symphony Orchestra, Paul Bhasin | B♭ Major | 0 | 6B | 76 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM | ||
Variasjoner over Med Jesus vil eg fara: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Ståle Storli | Aslak Brekke, Eivind Groven | D♭ Major | 2 | 3B | 105 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Fourth Movement Moderato Maestoso | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 1 | 10B | 77 BPM | ||
25 Études faciles et progressives, Op. 100: No. 22, Barcarolle | Franz Burgmüller, The Gerst Ensemble | A♭ Major | 0 | 4B | 58 BPM |