12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro)

Franz Liszt, Alice Sara Ott
Liszt: 12 Études d'exécution transcendante
5:05 2008年1月1日
テンポ
65
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro) - Franz Liszt, Alice Sara Ott 情報

音響性
99%
ダンサビリティ
31%
エネルギー
14%
手段性
89%
活気
8%
ラウドネス
65%
話し言葉
3%
価数
4%
人気
ラウドネス
-21.253 dB

まとめ

"12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro)" by Franz Liszt, Alice Sara Ott was released on January 1, 2008. With this song being about 5 minutes long, at 5:05, "12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro)" by Franz Liszt, Alice Sara Ott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Alice Sara Ott's "Liszt: 12 Études d'exécution transcendante" album is number 7 out of 13. On top of that, Germany appears to be the country where this track was created. 12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro) テンポ

We consider the tempo marking of 12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro) by Franz Liszt, Alice Sara Ott to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

12 Etudes d'exécution transcendante, S. 139: No. 7, Eroica (Allegro) キー

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Siciliano (After Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39)Johann Sebastian Bach, Martin StadtfeldG Minor16A79 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) by Antonín Dvořák, Peter BreinerSlavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano)Antonín Dvořák, Peter BreinerC Major08B132 BPM
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)Felix Mendelssohn, Péter NagyG Minor06A72 BPM
Wagner: Albumblatt, WWV 94 by Richard Wagner, Renaud CapuçonWagner: Albumblatt, WWV 94Richard Wagner, Renaud CapuçonA Major211B87 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2Felix Mendelssohn, Péter NagyF♯ Minor111A166 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude by César Franck, Aldo CiccoliniFranck: Prélude, fugue et variation, Op. 18, FWV 30: PréludeCésar Franck, Aldo CiccoliniB Minor010A127 BPM
Le Carnaval de Venise, S. 700 by Franz Liszt, Goran FilipecLe Carnaval de Venise, S. 700Franz Liszt, Goran FilipecE Major012B68 BPM
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 by Johannes Brahms, Ferruccio Busoni, Igor Levit6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10Johannes Brahms, Ferruccio Busoni, Igor LevitA Minor08A84 BPM
3 Sonetti di Petrarca (1st version), S158/R10b: Sonetto No. 47. Benedetto sia 'lgiorno by Franz Liszt, Jue Wang3 Sonetti di Petrarca (1st version), S158/R10b: Sonetto No. 47. Benedetto sia 'lgiornoFranz Liszt, Jue WangC Major28B95 BPM
ISRC
DEN960801060
レコードレーベル
L-M Records/RCA Records