"Concerto, H. 445 (Wq. 169) in G: Largo" by James Galway was released on 1978. Since Concerto, H. 445 (Wq. 169) in G: Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in James Galway's "James Galway plays Flute Concertos - Sony Classical Masters" album is number 2 out of 142. On top of that, United States appears to be the country where this track was created. Concerto, H. 445 (Wq. 169) in G: Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto, H. 445 (Wq. 169) in G: Largo by James Galway to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Schön Rosmarin | Fritz Kreisler, James Galway, Charles Gerhardt | G Major | 3 | 9B | 105 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Serenade, Op. 3, No. 5 | Franz Joseph Haydn, Hiro Fujikake, James Galway | C Major | 1 | 8B | 178 BPM | ||
Concertino for Flute and Piano, Op. 107 | Cécile Chaminade, James Galway, Phillip Moll | F Major | 2 | 7B | 80 BPM | ||
Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo | Antonio Vivaldi, James Galway | A♭ Major | 1 | 4B | 124 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Andante in C for Flute and Orchestra, K. 315 | Wolfgang Amadeus Mozart, James Galway, Marisa Robles | D Major | 1 | 10B | 127 BPM |