"Carmen Ballet Suite (after Bizet): I. Introduction" by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut was released on October 3, 2016. With Carmen Ballet Suite (after Bizet): I. Introduction being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Shchedrin: Carmen Suite & Respighi: La Boutique fantasque". In this album, this song's track order is #1. In terms of popularity, Carmen Ballet Suite (after Bizet): I. Introduction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Ballet Suite (after Bizet): I. Introduction by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Carmen Suite after Bizet's Opera: 2. Dance | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 2 | 6B | 116 BPM | ||
Valses nobles et sentimentales, M.61: 1. Modéré - très franc | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | C Major | 4 | 8B | 90 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Dance | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B♭ Major | 3 | 6B | 124 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM | ||
L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM |