"In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?)" by Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus was released on April 1, 1996. The duration of In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus's "Martin: In terra pax & Les quatre temperaments" album is number 9 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?) by Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Shakespeare Songs: II. The Cloud-capp'd Towers | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | B♭ Major | 1 | 6B | 79 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Messe pour double choeur: Sanctus | Frank Martin, Netherlands Chamber Choir, Tõnu Kaljuste | D Major | 1 | 10B | 130 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Leipzig Radio Chorus, Risto Joost | C Major | 3 | 8B | 124 BPM | ||
Carmina Burana: Veris leta facies | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F Major | 2 | 7B | 127 BPM | ||
Holy Spirit Mass: Fount of Life: Mercy | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Minor | 1 | 8A | 86 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM |