"Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante)" by Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki was released on April 26, 2024. Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante) is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 41 out of 42. On top of that, Sweden appears to be the country where this track was created. Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante) by Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Herzlich Thut Mich Verlangen, Weihnachtsoratorium Bwv 248 | Nicol Matt, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser | A♭ Minor | 2 | 1A | 89 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
VII. Wir wachen oder schlafen (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Yeree Suh, Marie Seidler, Georg Poplutz, Daniel Ochoa | A♭ Major | 2 | 4B | 92 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
III. Es Erhub Sich Ein Streit BWV 19, 7. Choral (Coro): Laß Dein Engel Mit Mir Fahren | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Susan Williams, Frank Aarnink, Johann Sebastian Bach, Bas Ramselaar, Ruth Holton, Sytse Buwalda, Hendrik Jan Houtsma, Frank Anepool, Pieter Jan Leusink | B Major | 2 | 1B | 124 BPM | ||
Matthäus-Passion, BWV 244, Prima parte: Nr.18. Da kam Jesus mit ihnen zu einem Hofe (Evangelista, Jesus) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout | A♭ Minor | 0 | 1A | 98 BPM |