"Toccata for Orchestra" by Walter Piston, Guido Cantelli, New York Philharmonic was released on February 3, 2010. Since Toccata for Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in American Masters by Guido Cantelli, New York Philharmonic, NBC Symphony Orchestra. In terms of popularity, Toccata for Orchestra is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata for Orchestra by Walter Piston, Guido Cantelli, New York Philharmonic is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: VI. The Chase | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | D♭ Minor | 5 | 12A | 137 BPM | ||
Symphony No. 6: III. Adagio sereno | Walter Piston, Leonard Slatkin, St. Louis Symphony | D Major | 0 | 10B | 172 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Symphony No. 4 in F Minor Op. 36: II. Andantino in modo di canzona - Piu mosso | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | B♭ Minor | 0 | 3A | 131 BPM | ||
Symphony No. 1 "Land of the Free": III. Viral Veil | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM |