"Nessun dorma!: Turandot, Atto III" by Mario del Monaco was released on August 3, 2011. The duration of Nessun dorma!: Turandot, Atto III is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Nessun dorma!: Turandot, Atto III's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco's "I grandi tenori" album is number 13 out of 13. Nessun dorma!: Turandot, Atto III is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nessun dorma!: Turandot, Atto III by Mario del Monaco to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino / Act 3: "Solenne in quest'ora" | Giuseppe Verdi, Mario del Monaco, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | A♭ Major | 2 | 4B | 77 BPM | ||
Un ballo in maschera / Act 3: "Forse la soglia attinse...Ma se m'è forza perderti" | Giuseppe Verdi, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A♭ Major | 2 | 4B | 51 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 0 | 10B | 115 BPM | ||
Core 'ngrato | Carolli -Cordiferro, Mario del Monaco | E♭ Major | 5 | 5B | 74 BPM | ||
Carmen: La fleur que tu m'avais jetée | Mario del Monaco | D♭ Major | 2 | 3B | 95 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Tosca / Act 1: "Voi! Cavaradossi!" | Giacomo Puccini, Silvio Maionica, Mario del Monaco, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | D♭ Minor | 4 | 12A | 109 BPM |