"The Crucifixion: Processional to Calvary (Tenor, Chorus)" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown was released on May 1, 2005. The Crucifixion: Processional to Calvary (Tenor, Chorus) appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #3. The Crucifixion: Processional to Calvary (Tenor, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: Processional to Calvary (Tenor, Chorus) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch | B♭ Major | 0 | 6B | 131 BPM | ||
Wesley: O Thou Who Camest from Above (Wilton) - 1. O Thou Who Camest from Above | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | A Major | 1 | 11B | 65 BPM | ||
Hymnen, Op. 140: Nr. 4 Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
Dear Lord And Father | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 1 | 5B | 81 BPM | ||
The Crucifixion: Chorus: Processional to Calvary (Fling wide the gates) | John Stainer, The London Fox Choir & Orchestra | E Major | 2 | 12B | 75 BPM | ||
Gloriosa dicta sunt | Carl Martin Reinthaler, Vytautas Miskinis, Jugendkantorei Des Wurzener Domes, Johannes Dickert | D Major | 1 | 10B | 107 BPM | ||
The Father's Embrace - Tone One, "Thy Tomb, O Savior" | St. Tikhon's Masterclass Choir, Vladimir Gorbik | B Major | 0 | 1B | 62 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM |