"Nocturne No. 20 in C-Sharp Minor, Op.posth. (Trans. Nathan Milstein)" by Frédéric Chopin, Ruggiero Ricci, Ernest Lush was released on 1971. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Virtuoso Showpieces (Ruggiero Ricci: Complete Decca Recordings, Vol. 20) by Ruggiero Ricci, Ernest Lush. The song's track number on the album is #5 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Nocturne No. 20 in C-Sharp Minor, Op.posth. (Trans. Nathan Milstein) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nocturne No. 20 in C-Sharp Minor, Op.posth. (Trans. Nathan Milstein) by Frédéric Chopin, Ruggiero Ricci, Ernest Lush has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Nocturne No. 20 in C-Sharp Minor, Op.posth. (Trans. Nathan Milstein) being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: 3. La Campanella | Niccolò Paganini, Ruggiero Ricci, Louis Persinger | B Minor | 2 | 10A | 120 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Chopin Minute Waltz | Stephen James Edwards | D♭ Major | 2 | 3B | 118 BPM | ||
Wolfgang Amadeus Mozart: Sonata No. 11 in La maggiore, K. V. 331 : Alla turca, Allegretto | Aldo Ciccolini | A Major | 1 | 11B | 133 BPM |