"Jetzt spielen... Hüll dich in Tand (Bajazzo)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 12 out of 33. In terms of popularity, Jetzt spielen... Hüll dich in Tand (Bajazzo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jetzt spielen... Hüll dich in Tand (Bajazzo) by Max Lorenz, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
The Bartered Bride: ACT II, Kecal Nuže, milý chasníku | Bedřich Smetana, Jozef Benci, BBC Symphony Orchestra, Jiří Bělohlávek | G Major | 1 | 9B | 112 BPM | ||
Divertimento No. 15 in B-Flat Major, K. 287: II. Theme and Variations: g) Variation VI | Wolfgang Amadeus Mozart, Arturo Toscanini | F Major | 1 | 7B | 108 BPM | ||
Puccini: Tosca, Act 1: "Ma con quei cani di volterriani" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Gotterdammerung (Twilight of the Gods): Act III Scene 1: Mein Schwert zershwang einen Speer (Siegfried) | Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler | F Major | 2 | 7B | 119 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Welch Licht leuchtet dort? (The Norns) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | B Major | 1 | 1B | 78 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 2: I. Adagio – Allegro | Camille Saint-Saëns, Thierry Fischer, Utah Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM | ||
Siegfried: Finale 1. Aufzug | Max Lorenz, William Wernigk | D Minor | 6 | 7A | 67 BPM |