"Massenet: Werther, Act 1 Scene 4: "Alors, c'est bien ici la maison du Bailli? … Charlotte! Charlotte! … Arrivez donc, Brülhmann!" (Werther, Les Enfants, Charlotte, Le Bailli, Brühlmann, Käthchen, Sophie)" by Jules Massenet, Alfredo Kraus, Michel Plasson, London Philharmonic Orchestra was released on December 31, 1997. Massenet: Werther, Act 1 Scene 4: "Alors, c'est bien ici la maison du Bailli? … Charlotte! Charlotte! … Arrivez donc, Brülhmann!" (Werther, Les Enfants, Charlotte, Le Bailli, Brühlmann, Käthchen, Sophie) appears to be safe for all ages as it is not explicit. The track order of this song in Jules Massenet, Michel Plasson's "Massenet: Werther" album is number 4 out of 38. On top of that, United Kingdom appears to be the country where this track was created. Massenet: Werther, Act 1 Scene 4: "Alors, c'est bien ici la maison du Bailli? … Charlotte! Charlotte! … Arrivez donc, Brülhmann!" (Werther, Les Enfants, Charlotte, Le Bailli, Brühlmann, Käthchen, Sophie) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Werther, Act 1 Scene 4: "Alors, c'est bien ici la maison du Bailli? … Charlotte! Charlotte! … Arrivez donc, Brülhmann!" (Werther, Les Enfants, Charlotte, Le Bailli, Brühlmann, Käthchen, Sophie) by Jules Massenet, Alfredo Kraus, Michel Plasson, London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |