Arcangelo Corelli, Orpheus Chamber Orchestra, Naoko Tanaka, Eric Wyrick, Eric Bartlett, Edward Brewer made "Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave" available on October 10, 2020. With Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 81 out of 85 in Corelli - Great Recordings by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave by Arcangelo Corelli, Orpheus Chamber Orchestra, Naoko Tanaka, Eric Wyrick, Eric Bartlett, Edward Brewer is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in B Flat Major, K. 191: II. Andante ma adagio - Cadenza: Frank Morelli | Wolfgang Amadeus Mozart, Frank Morelli, Orpheus Chamber Orchestra | E Major | 1 | 12B | 107 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 1 | 6A | 173 BPM | ||
Pieces de clavecin, Book 1: I. L'Aimable: Gracieux | Joseph-Nicolas-Pancrace Royer, Annamari Polho | F♯ Minor | 2 | 11A | 98 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Sonata a 4 in D Major, WoO 4: V. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro | Arcangelo Corelli, Trio Sonnerie | A♭ Major | 2 | 4B | 86 BPM |