"Psalm 3 "Domine, quid multiplicati?"" by Edward John Hopkins, St. Paul's Cathedral Choir, John Scott, Andrew Lucas had its release date on September 1, 2002. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Psalm 3 "Domine, quid multiplicati?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 174 in the song's album "The Psalms of David". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Psalm 3 "Domine, quid multiplicati?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 3 "Domine, quid multiplicati?" by Edward John Hopkins, St. Paul's Cathedral Choir, John Scott, Andrew Lucas having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 8: Psalm VIII | Henry Lawes, Choir of St John's, Elora, Michael Bloss, Noel Edison | C Major | 2 | 8B | 131 BPM | ||
Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | ||
Praise, my soul, the King of Heaven | John Goss, St. George's Chapel Choir, Windsor, Marlowe Brass Ensemble, Tim Byram-Wigfield | D Major | 1 | 10B | 82 BPM | ||
Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | ||
Llanfair "Hail the Day That Sees Him Rise" | Robert Williams, The Choir of Tewkesbury Abbey School, Carleton Etherington, Benjamin Nicholas | G Major | 2 | 9B | 80 BPM | ||
Close Distancing | Stacey Philipps, Oregon Repertory Singers, Ethan Sperry | G Major | 3 | 9B | 64 BPM | ||
Sonnet | Hendrik Andriessen, Koorproject Rotterdam, Albert de Klerk, Maarten Michielsen | A♭ Major | 1 | 4B | 79 BPM | ||
Now to the Lord's House Let Us Go (Psalm 122b) | Crown & Covenant | G Minor | 2 | 6A | 73 BPM | ||
Syliisi hellään sulje (Virsi 468) | Seuralaulu, Katariina Kopsa | A Minor | 1 | 8A | 176 BPM | ||
Alleluia! Sing to Jesus! SHZ 340 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Aamos Anderson, Aabel Anderson | F Major | 2 | 7B | 82 BPM |