Anonymous, Joculatores Upsalienses's 'Es fur ein pawr gen holz mit seiner hawen (c. 1450) [arr. S. Berger]' came out on September 30, 1990. With Es fur ein pawr gen holz mit seiner hawen (c. 1450) [arr. S. Berger] being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joculatores Upsalienses's "Joculatores Upsalienses: Woods, Women and Wine" album is number 15 out of 33. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Es fur ein pawr gen holz mit seiner hawen (c. 1450) [arr. S. Berger]'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Es fur ein pawr gen holz mit seiner hawen (c. 1450) [arr. S. Berger] by Anonymous, Joculatores Upsalienses to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM | ||
Messe de Notre-Dame: XII. Ite Missa est | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | G Major | 1 | 9B | 74 BPM | ||
Tempo Della Chiesa. Agnus Dei: 11 | Canonici Regolari Si Sant'Antimo | A♭ Major | 1 | 4B | 79 BPM | ||
Media vita in morte sumus. Responsorio (Modo IV) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |