"Waldszenen, Op. 82: VII. Der Vogel als Prophet" by Robert Schumann was released on May 1, 2021. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Greatest Piano Classsics" album is number 42 out of 50. Waldszenen, Op. 82: VII. Der Vogel als Prophet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Waldszenen, Op. 82: VII. Der Vogel als Prophet by Robert Schumann to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM |