"Piano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt)" by Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. The duration of Piano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Piano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 14 out of 25. The popularity of Piano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 2: III. Funeral March (Excerpt) (Arr. Gustav Schmidt) by Tasmanian Symphony Orchestra, Andrew Greene to be Vivace (lively and fast) because the track has a tempo of 171 テンポ, a half-time of 86テンポ, and a double-time of 342 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Scarborough Fair | ABC for Babies, Tasmanian Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
William Tell: Overture: Galop | Ola Rudner, Tasmanian Symphony Orchestra | E Major | 6 | 12B | 81 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |