"Lorca Suite, Op. 72b: II. El Grito" by Einojuhani Rautavaara, Finnish Radio Chamber Choir, Eric-Olof Söderström was released on January 1, 1995. With Lorca Suite, Op. 72b: II. El Grito being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rautavaara, E.: Choral Music - Katedralen / Die Erste Elegie / Nirvana Dharma / Praktisch Deutsch / Lorca Suite". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Finland. Lorca Suite, Op. 72b: II. El Grito is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lorca Suite, Op. 72b: II. El Grito by Einojuhani Rautavaara, Finnish Radio Chamber Choir, Eric-Olof Söderström having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Piano Sonata No. 2, Op. 64, "The Fire Sermon": II. Andante assai | Einojuhani Rautavaara, Laura Mikkola | G Minor | 2 | 6A | 90 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Etydit (Etudes), Op. 42: Terssit (Thirds) | Einojuhani Rautavaara, Laura Mikkola | B♭ Minor | 1 | 3A | 137 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Trittico botticelliano, P. 151: III. La nascita di Venere: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | D♭ Minor | 2 | 12A | 121 BPM |