Moritz Moszkowski, Vladimir Horowitz made "Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live" available on January 1, 1986. The duration of Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vladimir Horowitz - Horowitz in Moscow by Vladimir Horowitz. The song's track number on the album is #14 out of 15 tracks. Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live by Moritz Moszkowski, Vladimir Horowitz has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live being at 73 テンポ, the half-time would be 36 テンポ with a double-time of 146 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 73 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 1 in C Major, Prélude. Allegro | Bedřich Smetana, Jitka Čechová | C Major | 1 | 8B | 76 BPM | ||
Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) | Maurice Ravel, Arcadi Volodos | C Major | 0 | 8B | 76 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
3 Morceaux poétiques, Op. 42: I. Romance | Moritz Moszkowski, Seta Tanyel | F Major | 0 | 7B | 75 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Toccata, Adagio and Fugue in C Major, BWV 564: II. Intermezzo. Adagio | Johann Sebastian Bach, Vladimir Horowitz | A Minor | 0 | 8A | 99 BPM |