Bruno De Simone, Francesco Facini, Valerio Baiano, Maciej Rakowski, Alessandra Rossi, Ursula Duetschler, Maurizio Comencini, Bruno Pratico, English Chamber Orchestra, Marcello Viotti made ""La Cambiale Di Matrimonio": Cavatina con Pertichini" available on January 1, 1991. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bruno Praticò, Alessandra Rossi, Maurizio Comencini, Bruno de Simone, Francesco Facini, Valerio Baiano, English Chamber Orchestra, Maciej Rakowski, Ursula Duetschler & Marcello Viotti's "Gioacchino Rossini: La Cambiale Di Matrimonio" album is number 7 out of 18. Based on our statistics, "La Cambiale Di Matrimonio": Cavatina con Pertichini's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of "La Cambiale Di Matrimonio": Cavatina con Pertichini by Bruno De Simone, Francesco Facini, Valerio Baiano, Maciej Rakowski, Alessandra Rossi, Ursula Duetschler, Maurizio Comencini, Bruno Pratico, English Chamber Orchestra, Marcello Viotti to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Che originali!: Tu di quest'anima (Live) | Bruno De Simone, Chiara Amarù, Orchestra dell'Accademia Teatro alla Scala, Gianluca Capuano | E♭ Major | 1 | 5B | 105 BPM | ||
Che originali!: Presto miei bravi (Live) | Bruno De Simone, Orchestra dell'Accademia Teatro alla Scala, Unknown Artist, Gianluca Capuano | A Major | 1 | 11B | 83 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Denys le Tyran, Scene 4: Buvons, Géronte | André-Ernest-Modeste Grétry, Orchestra Internazionale D'Italia, Coro Ars Pulcherrima Atrium, Francesco Vizioli, Bruno De Simone, Romano Franceschetto | D♭ Minor | 1 | 12A | 84 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 5: Duetto: Ai capricci della sorte (Isabella, Taddeo) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Cherubini: Medea, Act 1: "Qui tremar devi tu" (Creonte, Glauce, Chorus) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B Minor | 3 | 10A | 137 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Ma qual mai s'offre, oh Dei (Donna Anna, Don Ottavio) | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Gösta Winbergh, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 139 BPM | ||
La serva padrona, Intermezzo 2: Favorisca, signor (Live) | Giovanni Battista Pergolesi, Bruno De Simone, Elisabetta Scano, Orchestra Filarmonica Marchigiana, Marcello Panni | E♭ Major | 2 | 5B | 135 BPM | ||
Armida, Atto primo Scena 3: Ecco l'onda insidiosa (Ubaldo, Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino | B♭ Major | 1 | 6B | 125 BPM |