"Blue, Act I Scene 4: What Am I Supposed to Do? Stay Alive" by Jeanine Tesori, Aaron Crouch, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. With Blue, Act I Scene 4: What Am I Supposed to Do? Stay Alive being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 36 out of 72. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Blue, Act I Scene 4: What Am I Supposed to Do? Stay Alive is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue, Act I Scene 4: What Am I Supposed to Do? Stay Alive by Jeanine Tesori, Aaron Crouch, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulled | Krysta Rodriguez, Adam Riegler | C Major | 5 | 8B | 125 BPM | ||
Shy | Sarah Jessica Parker, David Aaron Baker, Nick Cokas, Stephen Reed, Mary Lou Rosato, Once Upon a Mattress Ensemble (1996) | B♭ Major | 2 | 6B | 140 BPM | ||
No More Fear | Emma Hunton | A Major | 5 | 11B | 92 BPM | ||
Blue, Act II Scene 1: Only a White God | Jeanine Tesori, Kenneth Kellogg, Gordon Hawkins, Roderick Cox, Washington National Opera Orchestra | F Minor | 5 | 4A | 90 BPM | ||
Tonight Belongs to You | Company of The Prom: A New Musical | C Major | 6 | 8B | 156 BPM | ||
Viola's Theme | Lincoln Center Theater, Jeanine Tesori | D Minor | 2 | 7A | 167 BPM | ||
Astonishing | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | D♭ Major | 3 | 3B | 90 BPM | ||
Come with Me | Taye Diggs, Julia Murney | B Major | 7 | 1B | 110 BPM | ||
Happy To Keep His Dinner Warm | Rose Hemingway, Mary Faber | A Major | 2 | 11B | 96 BPM | ||
Good Girl Winnie Foster | Sarah Charles Lewis, Valerie Wright, Pippa Pearthree, Tuck Everlasting Original Broadway Cast Ensemble | F♯ Major | 3 | 2B | 98 BPM |