"Dies irae: II. Apocalypsis" by Krzysztof Penderecki, Anna Lubanska, Ryszard Minkiewicz, Jaroslaw Brek, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on January 27, 2008. Dies irae: II. Apocalypsis appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Penderecki: Symphony No. 8 - Dies irae - Aus den Psalmen Davids". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Dies irae: II. Apocalypsis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dies irae: II. Apocalypsis by Krzysztof Penderecki, Anna Lubanska, Ryszard Minkiewicz, Jaroslaw Brek, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 5, Andante tranquillo "The Lady and the Dragon" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 83 BPM | ||
Greenwood: 48 Responses to Polymorphia: Es Is Genug | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | E♭ Minor | 1 | 2A | 139 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Symphony No. 3: Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 69 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM |