"Sombres déserts" by Michel Lambert, Simone Kermes, Enrico Casazza was released on March 4, 2016. The duration of Sombres déserts is about 3 minutes long, at 3:13. Based on our data, "Sombres déserts" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simone Kermes's "Love" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Sombres déserts is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sombres déserts by Michel Lambert, Simone Kermes, Enrico Casazza to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lambert: Vos mépris chaque jour | Michel Lambert, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | B Major | 0 | 1B | 94 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
Médée, H. 491, Prologue: Air et trio. "Le ciel dans vos vœux s'intéresse" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Hélène Carpentier, Marine Lafdal-Franc, Floriane Hasler | G Minor | 3 | 6A | 64 BPM | ||
Salve Regina: No. 6., O clemens | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
La Giuditta: Part I: Recitative: Nutrice, al fato Assiro cedo Bettulia (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Stabat Mater in F Minor, P. 77: II. Cujus animam gementem | Giovanni Battista Pergolesi, Sandrine Piau, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 112 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig sein | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | B Major | 1 | 1B | 91 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM |