George Frideric Handel, Academy of Ancient Music, Richard Egarr's 'Concerto in B-Flat Major, Op.7, No.1: I. Andante' came out on August 11, 2009. With this song being about 5 minutes long, at 5:29, "Concerto in B-Flat Major, Op.7, No.1: I. Andante" by George Frideric Handel, Academy of Ancient Music, Richard Egarr is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Academy of Ancient Music, Richard Egarr's "Handel: Organ Concertos, Op. 7" album is number 1 out of 32. Based on our statistics, Concerto in B-Flat Major, Op.7, No.1: I. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in B-Flat Major, Op.7, No.1: I. Andante by George Frideric Handel, Academy of Ancient Music, Richard Egarr to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 168 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Concerto For Oboe In D Minor - Adagio | Tafelmusik Baroque Orchestra | D♭ Minor | 1 | 12A | 72 BPM | ||
Concerto for Violin and Strings in D , Op. 12/3 , RV 124: 3. Allegro | Antonio Vivaldi, Pavlo Beznosiuk, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 119 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 2 | 9B | 92 BPM |