Gérard Caussé, Solistes de Montpellier-Moscou's 'Fantaisie Pour Alto Et Orchestre' came out on February 28, 2003. Since Fantaisie Pour Alto Et Orchestre is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Concertos Alto by Gérard Caussé. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Fantaisie Pour Alto Et Orchestre's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantaisie Pour Alto Et Orchestre by Gérard Caussé, Solistes de Montpellier-Moscou is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Hindemith: Trauermusik: III. Lebhaft | Paul Hindemith, Gérard Caussé, Theodor Guschlbauer, Orchestre Philharmonique De Strasbourg | G Major | 1 | 9B | 176 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Les Chansons de Bilitis: II. Les Comparaisons | Claude Debussy, Philippe Bernold, Isabelle Moretti, Gérard Caussé, Ariane Jacob | C Major | 0 | 8B | 124 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Les Chansons de Bilitis: V. La Partie d’osselets | Claude Debussy, Philippe Bernold, Gérard Caussé, Ariane Jacob, Isabelle Moretti | C Minor | 0 | 5A | 61 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Bartók / Compl. Serly: Viola Concerto, Sz. 120: III. Allegro Vivace | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | D♭ Major | 0 | 3B | 64 BPM | ||
Violin Sonata No. 1 In A Major, Op. 13: III. Allegro Vivo | Gabriel Fauré, Dong-Suk Kang, Pascal Devoyon | D Major | 0 | 10B | 174 BPM | ||
Sibelius : Violin Concerto in D minor Op.47 : II Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM |